A SEMANTIC ANALYSIS OF METHAPHORS IN TAYLOR SWIFT’S SONG LYRICS
- Authors
-
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Cindy Simorangkir
Universitas HKBP Nommensen Pematangsiantar, IndonesiaAuthor -
Bernieke Anggita Ristia Damanik
Universitas HKBP Nommensen Pematangsiantar, IndonesiaAuthor
-
- Keywords:
- Metaphor, Semantic Analysis, Taylor Swift;Song Lyrics
- Abstract
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This study delves into the semantic functions and cognitive
mechanisms underpinning metaphor usage in selected lyrics from
Taylor Swift’s extensive discography. Recognized as one of the
leading contemporary singer-songwriters, Swift consistently employs
metaphorical language as a powerful expressive device to convey
complex themes including love, heartbreak, personal growth, and
the negotiation of self-identity. Drawing on Conceptual Metaphor
Theory (CMT) as the analytical framework, this paper systematically
examines how her metaphors not only embellish lyrical content but
also facilitate deeper meaning-making, evoke emotional resonance,
and enhance the overall narrative structure of her songs. Through
qualitative content analysis of key tracks spanning different albums,
the study identifies recurrent conceptual metaphors such as LOVE IS
A JOURNEY, THE SELF IS A FRACTURED ENTITY, and RELATIONSHIPS
AS PHYSICAL BATTLES, which articulate intimate emotional
experiences through culturally shared cognitive models. The findings
reveal that Swift’s metaphorical language bridges personal
storytelling with universal human experiences, thereby engaging
listeners cognitively and emotionally while reflecting broader
sociocultural understandings of identity and interpersonal dynamics.
This research contributes to the interdisciplinary fields of cognitive
linguistics, musicology, and literary studies by highlighting the
integral role of metaphor in contemporary popular music and its
capacity to shape both individual and collective meanings. - Downloads
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- References
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Charteris-Black, J. (2004). Corpus Approaches to Critical Metaphor Analysis. Basingstoke:
Palgrave Macmillan.
Gibbs, R. W. (1994). The Poetics of Mind: Figurative Thought, Language, and Understanding.
Cambridge: Cambridge University Press.
Kövecses, Z. (2002). Metaphor: A Practical Introduction. Oxford: Oxford University Press.
Lakoff, G., & Johnson, M. (1980). Metaphors We Live By. Chicago: University of Chicago Press.
Moore, A. F. (2001). Rock: The Primary Text – Developing a Musicology of Rock (2nd ed.).
Aldershot: Ashgate.
Nguyen, H. T. (2013). A Semantic Analysis of Metaphors in Adele’s Songs. Journal of Language
and Culture, 4(3), 34–41.
Simorangkir, C., & Damanik, B. A. R. (2023). A Semantic Analysis of Metaphors in Taylor Swift’s
Song Lyrics. Universitas HKBP Nommensen, Pematangsiantar.
Tagg, P. (2012). Music’s Meanings: A Modern Musicology for Non-Musos. New York: The Mass
Media Music Scholars’ Press.
Taylor Swift. (2008–2021). Discography: Fearless, Red, 1989, Lover, Folklore. Universal Music
Group.
Zbikowski, L. M. (2009). Music, language, and metaphor. In R. W. Gibbs Jr. (Ed.), The
Cambridge Handbook of Metaphor and Thought (pp. 502–524). Cambridge: Cambridge
University Press.
- Downloads
- Published
- 2025-07-11
- Section
- Articles
- License
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This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
How to Cite
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