REKONTEKSTUALISASI RITUAL BAKAR BATU SUKU HUBULA DALAM FORMAT LECTURE PERFORMANCE OLEH INDONESIA ART MOVEMENT DI GALERI INDONESIA KAYA

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Muhamad Ilham Mustain Murda

Abstract

The Bakar Batu performance by the Indonesia Art Movement, held on Sunday, October 20, 2024, at Galeri Indonesia Kaya in Jakarta, is a cultural reinterpretation of the traditional communal cooking ritual practiced by the Hubula people of the Baliem Valley, Papua. Framed as a lecture performance, the presentation combined performative storytelling with symbolic staging such as hot stones, collective labor, and ancestral narratives—to communicate deeply rooted communal, spiritual, and ecological values. This study employs a case study and autoethnographic approach to examine how a sacred, local tradition is ethically transformed and recontextualized within a contemporary performance space. The findings indicate that such performance not only functions as artistic expression, but also as a powerful medium for cultural education, identity affirmation, and decolonial engagement with Papuan narratives in national art discourse.

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REKONTEKSTUALISASI RITUAL BAKAR BATU SUKU HUBULA DALAM FORMAT LECTURE PERFORMANCE OLEH INDONESIA ART MOVEMENT DI GALERI INDONESIA KAYA. (2025). Triwikrama: Jurnal Ilmu Sosial, 10(7), 171-180. https://doi.org/10.9963/d9q7z541

References

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Wuka, M. (2024, Oktober 19). Wawancara pribadi tentang budaya Bakar Batu Suku Hubula. Wawancara dilakukan oleh Muhamad Ilham Mustain Murda, Jayapura.

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